A Crash, A Toggle, And Some Tahoe Cleanup
The Stereoize DSP I was so happy about yesterday turned out to have a nasty bug - it crashed on hi-res material. Which is, you know ... bad.
Building Zenteek, one late night at a time.
The Stereoize DSP I was so happy about yesterday turned out to have a nasty bug - it crashed on hi-res material. Which is, you know ... bad.
I have a lot of mono recordings. Early jazz, a handful of fifties blues sides, some classical records from before stereo was a thing. They sound wonderful on a single
A quick one tonight. I moved the distribution format from a zip to a proper DMG. Not glamorous, but it matters more than I thought. The zip flow was fine
I couldn't leave the preamp alone. Yesterday's release went out and I immediately started hearing the places where the saturation was being a little too aggressive on high transients -
Today I jumped a minor version because this one actually earns it. The signal chain got two significant additions, both things I'd been sketching out in a notebook for weeks.
This one was all about the corners. The artwork-based color detection I put in yesterday worked, but there were edge cases.
I've always been a little annoyed by music players that wash every album out in the same palette.
The morning after a release is always quieter than you expect. No celebration, just a list of tiny things i have noticed + MCP addons.
Today I cut the first build of Zenteek Player and pushed it out into the world. It feels strange - you work on something for months in the quiet of
If you compare a well-mastered jazz record from 1962 to a pop album from 2010, the newer record will probably sound louder through the same speakers at the same volume
There is something streaming services cannot give me, and I have been trying to articulate it for years. Every few months someone I respect tells me they have moved fully